Scary Monsters

Halloween is probably my favorite time of year. I love costumes, I love candy, I love monsters, but most of all, I love scary movies.

Or at least I used to. The current crop of horror flicks from Hollywood are pretty damn banal. Either they are remakes of classic horror films or bland American remakes of new and interesting films from Japan, China and Korea. I'll admit that Hollywood is an easy target, but these movies are being made for a reason: people will go to see them. This is sort of a chicken and the egg situation, though. Is Hollywood making bad movies because that's what the audience wants to see, or is the audience going to see bad movies because that's all Hollywood makes? My gut tells me that with the success of smart, interesting and fresh films (especially indie films) that it's simply the later. People want to be entertained so they'll pretty much go see any movie that looks remotely interesting, then bitch about it afterwards.

But, I digress. What I really wanted to talk about was good scary movies, the ones that scared me as a kid and still scare me now. In honor of Halloween, here's a list of some of my favorites and why you should watch them. These are sorted by category.

Now I'm feeling Zombified

Night of the Living Dead: the original film seemed all the scarier to me because it was shot in black-and-white. I think it must be the way shadows are rendered (see anything made by the Germans in the 20s if you don't believe me). This film plays on a primal fear of death and the dead (not to mention cannibalism!) and the tone and acting was quite serious; Romero never talked down to his audience nor did anything at their expense.

Shaun of the Dead: not a horror film in the traditional sense, this comedy starts dark and gets darker. It plays upon the zombie genre as a metaphor for growing up and can be funny, scary and heart-breaking all at the same time.

Dead Alive: This was the first movie I saw from Peter Jackson and much later, when I heard he was making The Lord of the Rings movies, I had a difficult time reconciling the two. Sure, he had also directed Heavenly Creatures, but then again, he had directed Meet the Feebles. Anyway, this is another zombie horror comedy with plenty of over-the-top gross-out effects, great action and quotable lines ("I kick ass for the Lord!" still makes me laugh my ass off).

28 Days Later: This was surprisingly effective movie that plays upon fears of contagion and fears about our fellow humans, imagining what would happen if we were compelled to act upon our basest impulses.

Evil Dead 2: worth it just to hear Bruce Campbell say "Groovy."

Hold Me, Thrill Me, Kiss Me, Kill Me

Seven: The sheer ugliness of the movie makes it both fascinating and repulsive. Every scene is filled with darkness and dread and when the horrible truth comes to light, the filmmakers do not cop out or allow you to look away. Probably one of the best films I have ever seen.

The Sixth Sense: Speaking of dread, it is nearly overwhelming in this film. This is a perfectly made story and although much is made about the surprise ending, there is enough detail, metaphor and lovely moments to make repeat viewings a treat.

Jacob's Ladder: What scared me about this film was its panicky freakiness; even at the end you were never quite sure what just happened and what was really going on. Like most good horror films the main character's fear, confusion and pain is palpable.

The Shining: This is, of course, Jack Nicholson's movie and it's a great deal of fun to watch him come unhinged. The weird touches, like the twin girls and the strange figures in costume make this a very creepy and unnerving film.

The Exorcist: Linda Blair is the Exorcist what Jack Nicholson is to The Shining - it's a perfect peformance.

Monsters!

Halloween: I watched this movie recently and was surprised at both how well it held up and how slow it builds - even though you may know what happens, the tension is still there. I still can't watch this alone and in the dark. Bonus points for an extra creepy soundtrack.

Alien: This movie at times has an almost dreamlike quality to it. It's beautifully shot as well as horrifying (the alien coming out of John Hurt's stomach is still one of the best moments in horror film history). And the alien is beautiful and disturbing.

Nosferatu: This film is still a beautiful example of German Expressionism, the movement that probably did the more for cinematography than any other school, director or technology. The vampire is ugly and creepy, much different from the charismatic vampires that would follow in movies and TV.

Ginger Snaps: This wicked little gem uses lycanthropy as a metaphor for growing up or more specifically, for puberty. Like I Was a Teenaged Werewolf before it, it puts teens in the roles of werewolves, but this time with a smart, witty and scary script.