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Tuesday, June 23, 2009

listening to "What's going on - Marvin Gaye" on Blip

It's sort of cliche, but I can't help but think of this song today #Iranelection

Tuesday, June 16, 2009

Review of Moon (Spoiler Free)

Moon is a difficult movie to talk about without giving away too much. No, it's not one of those movies with a twist, but half of the fun is the discovery and watching how the plot unfolds. The premise is simple: in the near future, a company has discovered a way to "mine" limitless power on the dark side of the moon. A man named Sam Bell (played by Sam Rockwell) works at a mining station on the moon; he is near the end of his three-year contract on the station, where he has lived in near isolation. The satellite communications are down, so the only outside contact he has are occasional videos sent from the company and his family. His only companion is a cumbersome robot name Gerty (voiced by Kevin Spacey). While checking on a malfunctioning harvester, Sam gets into an accident. And while he is away from the station, his replacement arrives.

What makes the film so compelling is Sam, both the character and the actor. For most of the film, Sam Rockwell is alone on screen and his haggard appearance is mesmerizing. In the same moment, he can be hilarious and heartbreaking. He makes you feel Sam Bell's loneliness and desperation to go home. We get to meet and really learn about a character, something that is rare in films. The film is so beautifully well-written that even Gerty the robot is a complex character. Gerty is supposed to be a helper on the station, but ends up being more of nanny, reminding Sam to eat or suggesting he take a nap when he is agitated. On a small screen is Gerty's face, a simple yellow smiley face, which changes appropriately to frowns or other "emoticons" as needed. It would be easy to create a robot character that was simply comic relief or worse, another evil robot like HAL from 2001, but Gerty is neither. He actually makes choices within the frame of his programming, showing that he can follow the spirit of the program if not its literal intention.

The other beauty of this film is in its cinematography and design. The station is grubby, well-lived-in and full of little details: photographs, magazine cuttings, scrawled writings on sticky notes everywhere (including on Gerty), a whole garden planted in food packaging. Outside, the moonscape is silver and black, stark and alien. The earth is always in the sky, tantalizingly close but so far away.

Something I've noticed is that in the last 5-10 years, most of the best science fiction films have been low-budget, independent ones like Moon. Sometimes we can confuse scifi with special effects and explosions, but like great scifi novels, the best scifi films are really about us and our relationship with science. Moon is one of those unusual films that can make you think and feel without being heavy-handed or self-important and be fantastic and visually interesting without being overblown.